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📄 Contents

  1. Using the Tone Curve: Point Curve
  2. Using the Tone Curve: Point Curve
  3. Using the Tone Curve: Parametric Curve
  4. Using the Tone Curve: Parametric Curve
  5. Using the Tone Curve: RGB Channels
  6. Using the Tone Curve: RGB Channels
  7. Adding Edge Darkening (Vignetting)
  8. Adding Edge Darkening (Vignetting)
  9. Converting to Black and White
  10. Converting to Black and White
  11. Creating Split-Toning Effects
  12. Creating Split-Toning Effects
  13. Adjusting Individual Colors in Your Image
  14. Adjusting Individual Colors in Your Image
  15. Fixing Hazy Images
  16. Fixing Hazy Images
  17. Fixing Skies (and Other Stuff) with the Graduated (Linear) Filter
  18. Fixing Skies (and Other Stuff) with the Graduated (Linear) Filter
  19. Creating Spotlight Effects Using the Radial Filter
  20. Creating Spotlight Effects Using the Radial Filter
  21. Applying Auto Lens Corrections
  22. Applying Auto Lens Corrections
  23. Editing RAW Photos from Your DSLR
  24. Editing RAW Photos from Your DSLR
  25. Applying Develop Module Presets
  26. Applying Develop Module Presets
  27. Using Preset Previews
  28. Using Preset Previews
  29. Adjusting Presets
  30. Adjusting Presets
  31. Applying More Than One Preset
  32. Applying More Than One Preset
  33. Copying-and-Pasting Settings from One Image to Another
  34. Copying-and-Pasting Settings from One Image to Another
  35. Copying-and-Pasting Features That Aren't in Lightroom Mobile
  36. Copying-and-Pasting Features That Aren't in Lightroom Mobile
  37. Making Collections of Adjustments Not in Lightroom Mobile
  38. Making Collections of Adjustments Not in Lightroom Mobile
  39. Making a Collection for Third-Party Presets
  40. Making a Collection for Third-Party Presets
This chapter is from the book

Using the Tone Curve: Parametric Curve

To make adjustments using the Parametric curve, tap on the Mode tile, and then tap on Parametric in the pop-up menu that appears. This changes your curve to the Parametric version, and now the tiles along the bottom of the screen become active (you can still adjust this curve by tapping-and-dragging on the curve itself, but it doesn’t add points to it). The idea here is to adjust the curve using the tiles and each tile represents part of the curve: dragging a slider to the right increases the steepness of that tonal area; dragging to the left flattens out the tone and the curve in that area. For example, if you tap on the Highlights tile, and drag the slider to the right (as seen here), it raises the top part of the curve, which affects the very brightest parts of the image. The Lights slider affects the 1/4 tones, which is the next brightest area of tones. The Darks slider controls the midtone shadow areas of the curve (the 3/4 tones), and the Shadows slider controls the darkest shadow parts of the image. Note: If you used the Point curve first and made adjustments there, any adjustments made here with the Parametric curve are added on top of your Point curve adjustments, so they’re additive—it’s not one or the other. It treats the adjustments from both curves as separate adjustments.

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