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📄 Contents

  1. Using the Tone Curve: Point Curve
  2. Using the Tone Curve: Point Curve
  3. Using the Tone Curve: Parametric Curve
  4. Using the Tone Curve: Parametric Curve
  5. Using the Tone Curve: RGB Channels
  6. Using the Tone Curve: RGB Channels
  7. Adding Edge Darkening (Vignetting)
  8. Adding Edge Darkening (Vignetting)
  9. Converting to Black and White
  10. Converting to Black and White
  11. Creating Split-Toning Effects
  12. Creating Split-Toning Effects
  13. Adjusting Individual Colors in Your Image
  14. Adjusting Individual Colors in Your Image
  15. Fixing Hazy Images
  16. Fixing Hazy Images
  17. Fixing Skies (and Other Stuff) with the Graduated (Linear) Filter
  18. Fixing Skies (and Other Stuff) with the Graduated (Linear) Filter
  19. Creating Spotlight Effects Using the Radial Filter
  20. Creating Spotlight Effects Using the Radial Filter
  21. Applying Auto Lens Corrections
  22. Applying Auto Lens Corrections
  23. Editing RAW Photos from Your DSLR
  24. Editing RAW Photos from Your DSLR
  25. Applying Develop Module Presets
  26. Applying Develop Module Presets
  27. Using Preset Previews
  28. Using Preset Previews
  29. Adjusting Presets
  30. Adjusting Presets
  31. Applying More Than One Preset
  32. Applying More Than One Preset
  33. Copying-and-Pasting Settings from One Image to Another
  34. Copying-and-Pasting Settings from One Image to Another
  35. Copying-and-Pasting Features That Aren't in Lightroom Mobile
  36. Copying-and-Pasting Features That Aren't in Lightroom Mobile
  37. Making Collections of Adjustments Not in Lightroom Mobile
  38. Making Collections of Adjustments Not in Lightroom Mobile
  39. Making a Collection for Third-Party Presets
  40. Making a Collection for Third-Party Presets
This chapter is from the book

Creating Split-Toning Effects

You can use this feature to add split-toning, tints, or duotone effects to a color or black-and-white image. Generally, you would apply one color tint to the shadow areas (like a blue tint), and a separate color tint to the highlights (like a yellow tint). However, you won’t see anything at all until you raise the Saturation amount for either the Shadows or Highlights, so we’ll start there first. Tap on an image to open it in Loupe view, and then tap on the Edit icon in the Action options at the bottom of the screen. When the adjustment tiles appear, tap on the shutter icon on the far left of the tiles and, from the Adjust pop-up menu, tap on Split Toning. Near the left side of the Split Toning adjustment tiles, tap on the Highlights Saturation tile (it’s the second tile), drag the slider to the right a bit, and you’ll start to see some color. Now, tap on the Highlights Hue tile and choose the color you want in your highlights. Next, do the same things for the shadows, raising the Shadows Saturation, and then choosing the Shadows Hue. Lastly, you can control the balance between the highlights and shadows by tapping on the Balance tile and dragging its slider. If you’re going for a duotone effect, start by converting the image to black and white (see the previous page), then come back here to the Split Toning adjustments, increase just the Shadows Saturation, and then drag the Shadows Hue slider to a brownish hue. Don’t mess with the highlights at all—just do the shadows and you’re done.

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