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📄 Contents

  1. Using the Tone Curve: Point Curve
  2. Using the Tone Curve: Point Curve
  3. Using the Tone Curve: Parametric Curve
  4. Using the Tone Curve: Parametric Curve
  5. Using the Tone Curve: RGB Channels
  6. Using the Tone Curve: RGB Channels
  7. Adding Edge Darkening (Vignetting)
  8. Adding Edge Darkening (Vignetting)
  9. Converting to Black and White
  10. Converting to Black and White
  11. Creating Split-Toning Effects
  12. Creating Split-Toning Effects
  13. Adjusting Individual Colors in Your Image
  14. Adjusting Individual Colors in Your Image
  15. Fixing Hazy Images
  16. Fixing Hazy Images
  17. Fixing Skies (and Other Stuff) with the Graduated (Linear) Filter
  18. Fixing Skies (and Other Stuff) with the Graduated (Linear) Filter
  19. Creating Spotlight Effects Using the Radial Filter
  20. Creating Spotlight Effects Using the Radial Filter
  21. Applying Auto Lens Corrections
  22. Applying Auto Lens Corrections
  23. Editing RAW Photos from Your DSLR
  24. Editing RAW Photos from Your DSLR
  25. Applying Develop Module Presets
  26. Applying Develop Module Presets
  27. Using Preset Previews
  28. Using Preset Previews
  29. Adjusting Presets
  30. Adjusting Presets
  31. Applying More Than One Preset
  32. Applying More Than One Preset
  33. Copying-and-Pasting Settings from One Image to Another
  34. Copying-and-Pasting Settings from One Image to Another
  35. Copying-and-Pasting Features That Aren't in Lightroom Mobile
  36. Copying-and-Pasting Features That Aren't in Lightroom Mobile
  37. Making Collections of Adjustments Not in Lightroom Mobile
  38. Making Collections of Adjustments Not in Lightroom Mobile
  39. Making a Collection for Third-Party Presets
  40. Making a Collection for Third-Party Presets
This chapter is from the book

Fixing Skies (and Other Stuff) with the Graduated (Linear) Filter

To darken a sky and have it fade off to transparent at the horizon (like a neutral density gradient filter on your lens would), use the Graduated Filter (well, that’s what it’s called in Lightroom on your desktop; in Lightroom Mobile, it’s called the Linear Selection). Tap on an image to open it in Loupe view, then tap on the Local Adjust icon at the bottom of the screen. (Note: Currently only available for iOS.) Make sure the Linear Selection icon is selected on the left side of the adjustment tiles (if it’s not, tap on the icon, then tap on Linear Selection). Now, tap at the top of the screen and drag down to the horizon line to create a graduated selection. The farther you drag, the further into your image the effect will appear. A red tint will appear showing which areas will be affected most, and then it graduates down to transparent. To rotate it, tap on the center white line and drag in a circular motion. To change how abruptly the gradient changes from affected area to transparent, tap-and-drag the outside white lines in/out. Once you drag out your gradient, tap on the Exposure tile and drag the slider to the left to darken the sky. You can also use any of the other adjustments, like Color Hue, which lets you change the color of the sky in that affected area. Of course, you don’t have to just use this on skies—I also use it on portraits to create a fall-off effect where the subject’s face is bright, and then it gets darker as it moves down. If I didn’t do this when I lit the subject, then I drag the gradient from the bottom of the image and stop just below their face, then I lower the Exposure amount, which darkens the bottom of the image and then lightens as it nears their face. A couple more things: To duplicate a gradient, tap-and-hold on the center pin and choose Duplicate Selection. To delete it, tap on the trash icon near the top-left corner of the screen. To create another Linear Selection, click on the + (plus sign) icon, also in the top left.

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